和老公在房间被婆婆撞见小说

王家卫的电影好像都这种调调以前觉得深奥文艺看不懂和老公在房间被婆婆撞见小说现在看觉得剧情也没什么除了装逼画面有质感张曼玉和旗袍都很美

每一个镜头都那么棱角分明像是积木或者魔方的块状物一个与一个之间严丝合缝巨细靡遗然而边缘又冷硬着拒绝一切滚动的可能它们搭建起来的岂不就是漫长、漫长而又漫长的看不到后脑勺的人生啊

bell hooks, "ethnographic gaze", "an outsider looking in", "does not oppose the way hegemonic whiteness 'represents' blackness but rather assumes an imperial overseeing position that is in no way progressive or counterhegemonic." Judith Butler, "camera itself is empowered as phallic instrument", "the vehicle through which the transubstantiation occurs", "an instrument and effect of lesbian desire", "to enter into a logic of fetishization which installs the ambivalence of that 'performance" as related to our own." 但说实话自己观影时没觉得这部的gaze有多problematic/patronizing和老公在房间被婆婆撞见小说可能因为我本身就是一个凝视这个群体的外人

whenever remember the way we were

战争片总是很震撼的吧3段式的电影士兵们在战场上的扭曲somewut disgusting..最后那个sniper的回首特经典了 恩还有plye的死 joker最后的最后扣动扳机的时的表情右边的脸被火光照射很明亮很干净的感觉而左边的脸落在阴影里和老公在房间被婆婆撞见小说是否也暗示着人性的二重性duality of human.. stan